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SOURCES OF INFORMATION
The manuscript inventories were gathered from a variety of published sources and from the Musicological Archives for Renaissance Manuscript Studies at the University of Illinois at Urbana-Champaign (hereafter Illinois Musicological Archives). Several resources were invaluable in collecting and creating inventories of the printed anthologies, most of them housed at the Illinois Musicological Archives. These include the preliminary motet list for The
New Josquin Edition;[1] the the typcescript of the late Howard Mayer Brown's RISM
volume containing inventories of all types of music, including motets, printed before 1550; inventories produced by many scholars for the Musicological Archives; and the microfilms of primary sources. Citation of sources of information in the database
| Citation Field |
Complete citation
| | AgrO |
Agricola, Alexander. Opera Omnia. Ed. Edward Lerner, iv. American Institute of Musicology, 1966.
| | AlbQMR |
Albrecht, Hans. “Zwei Quellen zur deutschen Musikgeschichte,” Die Musikforschung
I (1948), 242-85.
| | AlexM |
Alexander, J. Heywood. Moduli undecim festorum. Vol.56, Recent Researches in the Music of the Renaissance, Madison: A-R Editions, 1983.
| | AncO |
Anchieta, Juan de. Opera Omnia, ed. Samuel Rubio. Zarautz, 1980.
| | AngCR |
Anglés, Higinio. La música en la Corte de los Reyes Católicos, 2d ed. Monumentos de la Música Española, I. Barcelona: Instituto Español de
Musicologia, 1960. Call #: M2.M654 Vol. 1, 1960
| | AngME |
Anglés, Higinio. La Música Española desde la Edad Medìa hasta
NuestrosDìas. Catálogo de la Exposición Histórica. Barcelona, 1941.
| | BanMF |
Banks, Jon. The Motet as a Formal Type in Northern Italy ca. 1500. 2 vols. New York, 1993.
| | BecherC |
Becherini, Bianca. Catalogo dei manoscritti musicali della biblioteca Nazionale di Firenze. Kassel, Basel, London, New York: Bärenreiter, 1959.
| | BenteNW |
Bente, Martin. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls: Ein Beitrag zur Musikgeschichte des
Reformationszeitalters. Wiesbaden: Breitkopf & Härtel, 1968.
| | BentN |
Bent, Margaret. "New and Little-known Fragments of English Medieval Polyphony." Journal of the American Musicological
Association 21 (1968): 137-56.
| | BernJ |
Bernstein, Jane. Music Printing in Renaisssance Venice: The Scotto Press (1539-1572).
New York; Oxford: Oxford University Press, 1998.
| | BlackLG |
Blackburn, Bonnie J. "A Lost Guide to Tinctoris's Teachings Recovered." Early Music History
1 (1981): 29-116.
| | BlackLP |
Blackburn, Bonnie J. "The Lupus Problem." Ph.D. dissertation, University of Chicago, 1970.
| | BlackPC |
Personal communication with Bonnie Blackburn
| | BlackV |
Blackburn, Bonnie. “The Virgin in the Sun: Music and Image for a Prayer Attributed to Sixtus IV.” Journal of the Royal
Musical Association 24/2 (1999), 157-195. (Ave sanctissima Maria
texts)
| | BohH |
Bohn, Emil. Die Musikalischen Handschriften des XVI. und XVII. Jahrhunderts in der Stadtbibliothek zu Breslau.
Breslau: Julius Hainauer, 1890.
| | BökerE |
Böker-Heil, Norbert. “Zu einem Frühvenezianischen Motettenrepertoire.” In Helmut
Osthoff zu Seinem Siebzigsten Geburtstag, 59-88. Tutzing, H. Schneider, 1969.
| | BökerTML |
Böker-Heil, Norbert; Harald Heckman,; and Ilse Kindermann. Das Tenorlied: Mehrstimmige Lieder in deutschen
Quellen 14501580. Band 2: Handschriften. Vol X of Catalogus Musicus
series. Kassel, Basel, and London, 1982.
| | BowersNSE |
Bowers, Roger, and Andrew Wathey, compilers. “New Sources of English Fifteenth-and Sixteenth-Century Polyphony,” Early
Music 4, ed. Iain Fenlon. Cambridge, London, New York: Cambridge University Press, 1984.
| | BorI |
Van den Borren, Charles. “Inventaire des manuscrits de musique polyphonique qui se trouvent in Belgique.” Acta musicologica
5 (1933): 69-71; 120-27 178-83; 6 (1934): 23-29.
| | BrayBM |
Bray, Roger W. “British Museum Add. MSS. 17802-5 (The Gyffard Part-Books): An Index and Commentary.” R. M. A. Research
Chronicle 7. London: Royal Music Association, 1969, 31-50.
| | BrayPBO |
Bray, Roger. “The Part-Books Oxford, Christ Church, MSS 979983: An Index and Commentary,” Musica Disciplina
25 (1971), 179-97.
| | BrobM |
Brobeck, John Thomas. “The Motet at the Court of Francis I.” Ph.D. diss., University of Pennsylvania, 1991.
| | BrobS |
Brobeck, John Thomas. “Style and Authenticity in the Motets of Claudin de Sermisy.” The Journal of Musicology
16 (1998), 2690.
| | BrowIMP |
Brown, Howard Mayer. Instrumental Music Printed Before 1600, A Bibliography. Cambridge, Massachusetts: Harvard University Press, 1965.
| | BrowRISM |
The microfilm of Howard Mayer Brown’s unpublished RISM typescript of inventories of anthologies of printed music to 1550, housed at the University of Illinois Renaissance Musicological Archives.
| | BrowUUV |
Brown, Howard Mayer, ed. Uppsala Universitetsbiblioteket
| |
Vokalmusik I handskrift 76a,
vol. 19 of Renaissance Music in Facsimile: Sources Central to the Music of the Late Fifteenth and Sixteenth Centuries. New York and London: Garland, 1987.
| | CabralC |
Cabral, Luís. Biblioteca Pública Municipal do Porto: Catálogo de
Fundo de Manuscritos Musicais. Série II, No. 1 of Bibliotheca
Portucalensis. Oporto, 1982.
| | ChrisFM |
Christoffersen , Peter Woetmann. French Music in the Early Sixteenth Century: Studies in the Music Collection of a Copyist
of Lyons: The Manuscript Ny kgl. Samling 1848 2º in the Royal Library, Copenhagen.
3 vols. Copenhagen, 1994.
| | ClemO |
Clemens Non Papa, Jacob. Clemens Non Papa Opera Omnia. Edited by Karel Bernet
Kempers. Corpus mensurabilis musicae 4. Rome: American Institute of Musicology, 1951-76.
| | ConstRM |
Constant, John George. Renaissance Manuscripts of Polyphony at the Cathedral of Padua.
Ph.D. diss., University of Michigan, 1975.
| | CrawSC |
Crawford, David. Sixteenth-Century Choirbooks in the Archivio Capitolare at Casale
Monferrato. American Institute of Musicology. Rome: Hänssler-Verlag, 1975.
| | CrawV |
Crawford, David. “Vespers Polyphony at Modena’s Cathedral in the First Half of the Sixteenth Century (with) Part II: Transcriptions.” Ph.D. diss., University of Illinois, 1967.
| | DeanVC |
Dean, Jeffrey J. Vatican City, Biblioteca Apostolica Vaticana, Cappella Sistina MS 46. Renaissance Music in Facsimile
21. New York and London: Garland, 1986
| | FelAP |
Fellowes, Edmund H. Tudor Church Music, Appendix.
New York: Broude Brothers, 1963.
| | FoB |
Fox, Bertha Mary. “A Liturgical-Repertorial Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchenyi Library, Budapest.” Ph. D. diss., University of Illinois at Urbana-Champaign, 1977.
| | GehrMC |
Gehrenbeck, David Maulsby. “‘Motetti de la Corona’: A Study of Ottaviano Petrucci’s Four Last-Known Motet Prints (Fossombrone, 1514, 1519), With 44 Transcriptions.” 4 vols. S.M.D. diss., Union Theological Seminary, 1970.
| | GehrMC |
Gehrenbeck, David Maulsby. “‘Motetti de la Corona’: A Study of Ottaviano Petrucci’s Four Last-Known Motet Prints (Fossombrone, 1514, 1519), With 44 Transcriptions.” 4 vols. S.M.D. diss., Union Theological Seminary, 1970.
| | GeMNA |
Der Mensuralkodex des Nikolaus Apel (MS. 1494 der Universitätsbibliothek Leipzig),
ed. Rudolf Gerber, Das Erbe deutscher Music, 33. Kassel, 1960.
| | GerhW |
Gerhardt, Carl. Die Torgauer Walter-Handschriften: Eine Studie zur Quellenkunde der Musikgeschichte der deutschen
Reformationszeit. Kassel und Basel: Bärentreiter-Verlag, 1949.
| | GölB |
Göllner, Marie Louise. Bayerische Staatsbibliothek: Katalog der Musikhandschriften. 2: Tabulaturen und Stimmbücher bis zure
Mitte des 17. Jahrhunderts. Band 5/2 of Kataloge Bayerischer Musiksammlunge.
Munich, 1979
| | GottH |
Gottwald, Clytus. Die Handschriften der Würtembergischen Landesbibliothek Stuttgart.
Bd. I. Codices musici. Wiesbaden: Otto Harrassowitz, 1964.
| | GottM |
Gottwald, Clytus. Die Musikhandschriften der Staats-und Stadtbibliothek Augsburg. Handschriftenkataloge der Staatsund
Stadtbibliothek Augsburg. Wiesbaden: Otto Harrassowitz, 1974.
| | HughesP |
Hughes, Dom Anselm. Catalogue of the Musical manuscripts at Peterhouse, Cambridge. Cambridge: University Press, 1953
| | HugheCM |
Hughes-Hughes, Augustus. Catalogue of Manuscript Music in the British Museum, Vol. I, Sacred Vocal Music. London: British Museum; Oxford: Oxford University Press, 1906, 1964.
| | HurC |
Hur, Young-Han. “Conflicting Attributions in the the Motet, 15001550.” Ph.D. diss., New York University, 1991.
| | JacqOO |
Jacquet of Mantua. Opera Omnia, ed. Philip T. Jackson and George Nugent. Corpus mensurabilis musicae
54. Stuttgart: American Institute of Musicology, 1986.
| | KellJ |
Kellman, Herbert. "Josquin and the Courts of the Netherlands and France." In Josquin des
Prez: Proceedings of the International Josquin Festival-Conference, New York 1971. Edited by Edward E. Lowinsky in collaboration with Bonnie J. Blackburn, 181216. London (New York, Toronto): Oxford University Press, 1976.
| | KmetzH |
Kmetz, John. Die Handschriften der Universitätsbibliothek Basel: Katalog der Musik handschriften
des 16. Jahrhunderts, Quellenkritische und historische Untersuchung. Basel: Universitätsbibliothek Basel, 1988.
| | KuhnB |
Kuhn, Friedrich. “Beschreibendes Verzeichnis der Alten Musicalien — Handschriften und Druckwerke — des Königlichen Gymnasiums zu Brieg.” Monatshefte für Musikgeschichte
28 (1897), (supplement), 3-39. Edited by Robert Eitner.
| | LesBA |
Lesure, François and Geneviève Thibault. Bibliographie des éditions d'Adrian Le Roy et Robert Ballard (1551-1598).
Paris: Société française de musicologie (Heugel), 1955;
"Supplément" in Revue de musicologie 40 (1957): 166-72. Ref ML 145.L45
| | LewAGV1 |
Lewis, Mary. Antonio Gardano:,Venetian Music Printer,1538-1569: A Descriptive Bibliography and Historical Study.
Vol. 1. New York and London: Garland Publishing Co., 1988.
| | LewAGV2 |
Lewis, Mary. Antonio Gardano:,Venetian Music Printer,1538-1569: A Descriptive Bibliography and Historical Study.
Vol. 2, 1550-1559. New York and London: Garland Publishing Co.,
| |
1997.
| | LewRS |
Lewis, Mary S. “Rore’s Setting of Petrarch’s ‘Vergine Bella’: A History of Its Composition and Early Transmission.” The
Journal of Musicology 4/4 (1985-86): 365-409.
| | LinLM |
Lincoln, Harry. The Latin Motet: Indexes to Printed Collections, 1500-1600. Ottowa, Canada: The Institute of Medieval Music, 1993.
| | LlorCS |
Llorens, Josephus. Capellae Sixtinae Codices: musicis notis instructi sive manu scripti sive praelo
excussi. Città del Vaticano: Biblioteca Apostolica Vaticana, 1960.
| | LlorOM |
Llorens, José. Le Opere Musiali della cappella Giulia. Vatican City: Biblioteca Apostolica
Vaticana, 1971.
| | LodiC |
Lodi, Pio. Catalogo delle Opere Musicali: Città di Modena, Biblioteca Estense. Bologna: Forni
Editore, 1923.
| | LowBV |
Lowinsky, Edward E. “A Newly Discovered Sixteenth-Century Motet Manuscript at the Biblioteca Valliceliiana in Rome.” Journal of the American Musicological Society
3 (1950): 173232.
| | LowMC |
Lowinsky, Edward. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de’ Medici, Duke of Urbino. Chicago and London: University of Chicago Press, 1968.
| | MacUUV |
MacCracken, Thomas G., ed. Uppsala Universitetsbiblioteket Vokalmusik I handskrift 76b,
vol. 20 of Renaissance Music in Facsimile: Sources Central to the Music of the Late Fifteenth and Sixteenth Centuries. New York and London: Garland, 1986.
| | MaiH |
Maier, Jul. Jos. K. Die Handschriften bis zum Ende des XVII. Hahrhunderts. Vol I. Hof-und Staatsbibliothek in Muenchen. München: Der Palm'schen
Hofbuchhandlung, 1879.
| | MerrC |
Merritt, A. Tillman. “A Chanson Sequence by Fevin.” In Essays on
Music in Honor of Archibald Thompson Davison by his Associates. Cambridge: Harvard, 1957.
| | MohP |
Mohr, Peter. Die Handschrift B 211-215 der Proske-Biblithek zu Regensburg (mit kurzer Beschreibung der Handschriften B 216 und B 220-222). Kassel und Basel: Bärenreiter-Verlag, 1955.
| | NagJ |
Nagel, Wilibald. “Johann Heugel (ca. 1500-1584/5).” Sammelbände der Internationalen Musikgesellschaft
7 (1905-6): 80-110.
| | Name |
A name of a person indicates personal communication with that person, eg. Jean Duchamp
| | NG “Article” |
New Grove
“Article title” (eg., NG “Mouton”)
| | NoblRL |
Noblitt, Thomas L. "A Reconstruction of MS Thomaskirche 51 of the Universitätsbibliothek Leipzig." Tijdschrift van de
Vereniging voor Nederlandse Muziekgeschiedenis 31 (1981), 16-72.
| | OverC |
Overvoorde, J. C. Catalogus van Voorwerpen in het Stedelifk
Museum “De Lakenhal” te Leiden.
Leiden: G. F. Théonville, 1914.
|
| PickMBA |
Picker, Martin. The Motet Books of Andrea Antico. Chicago,
London: University of Chicago Press, 1987.
|
| RenArchIL |
Inventory in the University of Illinois Renaissance Musicological
Archives
|
| NAME/RenArchIL |
A name/RenArchIl indicates the person who made the inventory in
RenArchIl, when this is known
|
| RifkSC |
Rifkin, Joshua. “Scribal Concordances for Some Renaissance
Manuscripts in Florentine Libraries.” Journal of the American
Musicological Society
26 (1977), 305-326
|
| RISM B IV/3 | |
| RosMB |
Ros-Fábergas, Emilio. "The Manuscript Barcelona, Biblioteca de Catalunya, M. 454: Study and Edition in the Context of the Iberian
and Continental Manuscript Traditions.” Ph. D.
diss, City University of New York, 1992), ii, 296-9.
|
| RubsI |
Rubsamen, Walter H. “The International ‘Catholic’ Repertoire of
a Lutheran Church in Nürnberg (1574-97),” Annales
Musicologues
5 (1957): 229-327.
|
| SherrSB |
Sherr, Richard, ed. Selections from Bologna, Civico Museo Bibliografico Musicale, MS Q 19 (“Rusconi Codex”). New York: Garland, 1989.
| | SherrPM |
Sherr, Richard. Papal Music and Papal Manuscripts in the Late Fifteenth and Early Sixteenth Centuries. Renaissance
Manuscript Studies, 5. Neuhausen: American Institute of
Musicology, 1996.
|
| SlimGM |
Slim, Colin. A Gift of Madrigals and Motets. Chicago and London:
University of Chicago Press, 1972.
|
| SmijTL |
Treize livres de motets parus chez Pierre Attaingnant.
Ed. Smijers and Merritt, ii. Monaco, 1936.
|
| SteudeMS |
Steude, Wolfram. Die Musiksammelschriften des 16. und17.Jahrhunderts in der Sächsischen Landesbibliothek zuDresden. Wilhelmshaven: Heinrichshofen’s
Verlag, 1974.
| | StevnsnRB |
Stevenson, Robert. Renaissance and Baroque Musical Sources in
the Americas.
Washington, D.C., 1970.
| | ThoBL |
Thomas , Jennifer. Inspection of source at British Library.
| | ThoBNF |
Thomas , Jennifer. Inspection of source at Bibliothèque nationale de
France.
| | ThoEU |
Thomas , Jennifer. Inspection of source at Edinburg University
Library, rare book room
|
| ThoMNL |
Thomas , Jennifer. Inspection of source at Mazvydas National
Library, Vilnius, Lithuania.
|
| ThoHKRM |
Thomas , Jennifer. Inspection of source at Hradec Kralové Regional Museum
| | ThoRAI |
Thomas , Jennifer. Inventory made from microfilm at University of Illinois Renaissance Musicological Archives
| | TirroRM |
Tirro, Frank. Renaissance Musical Sources in the Archive of San Petronio in Bologna.
Vol. I: Giovanni Spatarro’s Choirbooks. American Institute of Musicology. Neuhausen: Hänssler-Verlag, 1986.
| | VäterGL |
Väterlein, Christian, editor. Das Glogauer Liederbuch. Das Erbe Deutscher Musik. Vols. 85-86. Kassel, Basel, London: Bärenreiter, 1981.
| | VollBM |
Vollhardt, Reinhard. “Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau .” Monatshefte für
Musikgeschichte 26 (1894). Edited by Robert Eitner. Leipzig: Breitkopf and Härtel, 1893-96.
| | WeissBR |
Weiss, Susan Forscher. “Bologna Q 18: Some Refelections on Content and Context.” Journal of the American Musicological
Society 41 (1988): 63-101.
| | YouI |
Youens, Laura. Selected Introits from Leipzig 49/50 (1558). Madison: A-R, 1984.
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