Natalya Antonova started her piano studies at the age of 4 as a protégé in Leningrad Conservatory.  She made her debut with the Leningrad Philharmonic at the age of 16.  As a soloist of two major concert managements: "State Concert" and  "Soviet Union Concert", she concertized in Russia, Estonia, Georgia, Latvia, Ukraine, Armenia, Byelorussia and other countries like Germany, France, Bulgaria, Hungary, Czechoslovakia, South Korea, Thailand, Singapore, etc.

The same month she graduated the prestigious Leningrad Conservatory, she accepted an invitation from them to become the youngest professor ever being appointed for this position in the history of the school.  After 10 years of serving, she accepted a position of Professor of Piano in the Russian Academy of Music in Moscow (former Gnessin Institute of Music).

Among the many hundreds of her former students are winners of International and National Competitions, successful artists and teachers all over the world.  Natalya Antonova gave hundreds of master classes and lectures throughout the world including Moscow Academy of Music, Paris Conservatory, Budapest Conservatory, Peabody Conservatory, New England Conservatory, Seoul National University, Singapore University, Taipei National University,  Cincinnati Conservatoire, St. Louis University, Interlochen International Academy and others.

She participated in many International Festivals - in Hungary, Germany, South Korea, USA, Russia, etc.  Each summer she conducts piano classes in the framework of the International Festival in Paris, France.

She judged numerous competitions such as: Gina Bachauer in Utah, Corpus Christi International Competition in Texas, Sibelius International Competition, Ohio, Hilton Head International Competition, SC, Missouri International Competition, MO, Moulin-Ande International Competition in France, Seoul International Competition.

She is currently a tenured professor at the Eastman School of Music, USA.

"Power, pathos and pizazz!  Natalya Antonova poured herself into the keyboard for a stunning United States debut."
...Democrat & Chronicle

"Antonova dazzles with her Russian repertoire.  Her performance had plenty of virtuosity, but it also had drama, grandeur and sweep."
...Times Union

"Poetry and depth of perception were presented not only with fascination, but also with self-possession and intimate interpretation."
...Fceiheit Kothen, Germany